The following are capsule reviews of movies recently reviewed by the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.

Capitalism: A Love Story (Overture)
Hard-hitting but at times overly simplistic documentary in which filmmaker Michael Moore highlights numerous dysfunctional aspects of the capitalist system in the U.S. and their negative effects on working people, who are thrown into unemployment or have their homes seized in foreclosure, ultimately calling for an economic revolution that would bring democracy to the workplace. Though Moore interviews two Catholic priests and retired Auxiliary Bishop Thomas J. Gumbleton of Detroit, who are unanimous in condemning capitalism as inherently sinful, this is not the teaching of the full magisterium, which instead recognizes both the efficiencies of the free market system and its need to be prudently regulated, while upholding the human dignity of workers, particularly their right to unionize. At least three uses of the F-word and a couple of crude terms. (A-III, R)

Couples Retreat (Universal/Relativity)
Mostly dull, sexually wayward comedy in which a suburban couple (Jason Bateman and Kristen Bell) on the verge of divorce convince a group of their friends (most prominently Vince Vaughn and Malin Akerman) to join them at a South Pacific resort whose founder (Jean Reno) specializes in marriage therapy. While Peter Billingsley's directorial debut ultimately affirms marital fidelity, viewers have to endure waves of constantly suggestive, occasionally smutty humor and a tide of New Age psychobabble --- an obviously inadequate substitute for faith as a basis for lifelong commitment --- before reaching that safe shore. Strong sexual content, including brief but aberrant adulterous activity, fleeting nongraphic sexual activity within marriage, a flash of rear nudity, many sexually themed jokes, and some crude and much crass language. (L, PG-13)

Pandorum (Overture)
Complex and deeply cliched sci-fi horror excursion in which two astronauts (Dennis Quaid and Ben Foster) awaken from an eight-year hypersleep to learn that their spacecraft, a sort of Noah's Ark designed to keep life from earth in existence, has a balky power plant and a violent past. Director Christian Alvart serves up a heaping helping of pesky mutants with ninja skills, but the largely routine proceedings are somewhat redeemed by a surprisingly upbeat double-twist ending. At least one rough term, occasional profane and crass language, and some martial arts and knife violence. (A-III, R)

Zombieland (Columbia/Relativity)
Wryly amusing but at times wildly gruesome comedy, set in a ruined world where hordes of cannibal zombies prey on the few remaining humans, tracks the odd-couple adventures of a phobia-plagued slacker (Jesse Eisenberg) and a fearless gunslinger (Woody Harrelson) as they team up and hit the road, eventually crossing paths with two sisters (Emma Stone and Abigail Breslin) whose unpredictable antics repeatedly put a strain on their partnership. Adults with a high tolerance for graphic nastiness may discern, behind the uproarious, corpse-ridden proceedings of director Ruben Fleischer's feature debut, a touching nostalgia for more innocent times as well as a beleaguered yearning for solidarity, whether expressed through friendship or romance. Much gory violence, including cannibalism, partial upper female nudity, drug use, a few profanities, frequent crude and crass language, and an obscene gesture. (L, R)

USCCB Office for Film & Broadcasting classifications: A-I ---- general patronage; A-II ---- adults and adolescents; A-III ---- adults; L ---- limited adult audience, films whose problematic content many adults would find troubling; O ---- morally offensive.